Reviewed by Anna Kishore
Singapore
The Mahabharata is one of the greatest epics to be written
ever. It would be a rare case that there would be a person on the sub-continent
who did not grow reading or hearing the stories from this epic. And based on
these inputs each person would have their own questions, opinions and
conclusions on the numerous characters and incidents of Mahabharata. For
instance each time I heard or saw, I would wonder how could the queen of the
blind king, Dhritarashtra, blindfold herself for life, when she heard that she
was to be married to a blind prince? Or how could Princess Panchali agree to
get married to all the five Pandavas? But the somewhere with the passing years
these questions, images and interpretations got pushed back into one corner of
my mind.
Then, a few days back, I came across this very interesting book
while browsing in the library. The name of the book is The Palace of Illusions
written by Chitra Banerjee Divakaruni. The synopsis of the book given on the
back intrigued me to read the book. It said the book was Mahabharata retold by
the Princess of Panchal – Panchali, more commonly known as Draupadi. The story
has been written in first person, as if being narrated by Draupadi herself. I
was both, filled with curiosity to read the book and ready to find faults in
the work. This was because, according to me, trying to give one’s own version
to the epic which has stood the test of times is no mean task. But after
reading the entire book, my critical mind was thoroughly impressed.
The character of Draupadi comes across as a strong,
unconventional woman, who is caught in the customs and traditions of the
society. But despite everything, within her limits how Draupadi manages to
stand out and makes her mark in history. This has been narrated in an
interesting as well as an inspiring manner.
From the very start the book holds the attention of the
reader. The unusual way in which Draupadi is born into this world has been well
described to capture the reader’s imagination. The emotions of a princess, who
is born out of fire and who does not have anyone except her brother to call her
own has been described in a manner such that one can empathise with her
emotions. The pains and pleasures of being a princess, the doubts and thoughts
that crosses the minds of even the greatest of princesses is very well handled.
The attempt to portray Karna, the son of a charioteer and not Arjuna who
actually won her hand for marriage, as the person whom the princess is actually
attracted to is a good attempt to add a bit more of drama to the original work and
thus make it entertaining.
The character of Krishna, which has little bit of divinity, a
little bit of humanity, a little bit of chivalry and a little bit of slyness
cannot be easily brought alive through words. But the cleverness of the author
is evident in the way the complex character of Krishna can be visualised going
through the various scenes of the story. The highlight was the famous or rather
infamous scene, where Draupadi is dragged into the court room to be insulted in
front of a large audience. In all the previous attempts of reproducing this
particular scene, it was the divinity of Krishna, who is believed to be the
incarnation of the Supreme power, has been glorified. But Chitra has used this
scene to bring out the strength of her main character who is Draupadi. Her
anguish and anxieties and her courage to question the wise men around and ask
for justice was truly inspiring. Even in that moment of despair, her heart
calling out not to her husbands but to the person, whom she is truly attracted
to, to Karma, is indeed very bold. And last but not the least, her undying
faith in Krishna whom, though, she looks upon more as friend than as a god accomplishes
such feats that compels her to think or rather question his true identity.
Finally when her end is near, the author beautifully brings
out the fear, the longings, the pains and pleasures that she goes through
effectively. The reader is forced to look at this great Indian princess with
new eyes. No doubt she is one the greatest princess of all times, but first and
foremost is that she is a woman. And the book leaves you with the feeling that
after all the great Draupadi, wife of the great Pandavas though did not have an
ordinary life in many aspects still craved for things that every woman, no
matter from which part of the society she comes from aspires for, like true
love, recognition, attention and admiration from people around her.
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