There is always a light

There is always a light
Don't be afraid if you are alone or surrounded by darkness. In some part of the world, the day has just begun. There is a always a light waiting for you to find your way to touch its radiance.

Saturday, April 30, 2011

Dum Maro Dum

By Abhishek Chatterjee

Dum Maro Dum' is satisfactory cops and robbers fare, held together largely by Goa's visual charm and Junior Bachchan's smoldering cop act. But its difficult to be completely susegaad  watching a possible cracker of a thriller degenerate into a predictable chor police tamasha. There are multiple story-lines here, one of a gullible teenager being sucked into the drug trade, one of a musician seeking redemption and one of an ambitious career girl choosing the easy way out to success. And then there is the bad ass cop out to bust Goa's big bad drug mafia, in a final attempt at honor. 

The film relies on snazzy editing, edgy music and fast paced set pieces and it starts having an effect in the second half of the film, but the climax drags on for longer than necessary (Sippy should have learned from his previous outing 'Bluffmaster'). Also, the fact that the film is denied a strong antagonist is a constant niggle. Aditya Pancholi's drug baron turn is just not effective enough (did Nana Patekar say no?) to make the bad versus badder battle engaging enough. The enterprise gets most other things right though, in terms of music (the potty lyrics notwithstanding), casting (with the possible exception of Telugu star Rana Daggubati) and setting. 

Prateik Babbar displays his acting chops yet again in the limited scope he gets, though his role is certainly no special appearance as it is credited. Bipasha Basu is passable and Rana Daggubati brings presence but little else. The support cast does a fine job as does Abhishek Bachchan, who should clearly be playing more cops to resurrect his flagging career. Vidya Balan's fleeting cameo as Abhishek's wife is unnecessary, but they do make a fine couple. As mentioned, the bad guy is the biggest let down. Aditya Pancholi tries hard but fails to pass muster as our very own desi Alejandro Sosa. 

The film is high on style and attitude, and low on depth. But I suppose it didn't intend to be so in the first place. So if you're stone dead bored with the constant drone of the IPL on the telly, give this a go and I'm certain it will make a worthy distraction. 

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